
This is an evidenced theory found in 16 famous films, The construction of the characters is exactly the same, though these are clearly very different ilms, After learning how to create a protagonist you can immediately create conflict, conflict the mother of drama.
I do not tell you what subject matter to write or what story works better. There will be no mention of plot points, character arcs, three acts and other nonsense..What you learn is what your protagonist is at his or her core. Consequently secondary characters immediately have a purpose, a dramatic objective in each scene.
I do not tell how to create tension, (any writer can create moments of tension) but much more importantly how to accumulate audience tension.and how the release of accumulated tension should come at the end of a film. I will show you in each of these films how easily it is to capture the entire diverse audience.
Once your protagonist is correctly constructed you get the choice of two endings. So no more agonizing over endings. The theory is also important for directors and actors who will learn the purpose. the objection in each scene. Having sold many books I now offer a 30 DAY MONEY BACK GUARANTEE if you read the book and do not find anything useful or if you can show any errors in the theory.
FILMS COVERED

Film # 1 Manhattan

Romancing the Stone

Avatar

The Hurt Locker

Goodfellas

Groundhog Day

Planes, Trains and Automobiles

The Shawshank Redemption

Primal Fear

The Fugitive

Casablanca

Shallow Hal

Scarface

Up in the Air

Chinatown

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